Nationality?
The films benefit from international collaborations
The cinema loses sometimes its Latin

Is it necessary to rely on the language spoken with the screen, the origin of the funded capital, the nationality of the actors or the producer? It is often the latter which one retains in the event of complex co-production, leaves to be mistaken.

Well, well, here are the 22 films in the competition for 2007:

1. My Blueberry Nights by Wong Kar wai
2. Une vieille maîtresse by Catherine Breillat
3. Les chansons d’amour by Christophe Honoré
4. Le Scaphandre et le Papillon by Julian Schnabel
5. De l’autre côté by Fatih Akin
6. No Country for Old Men by frères Coen
7. Zodiac by David Fincher
8. La nuit nous appartient by James Gray
9. La forêt de Mogari by Naomi Kawase
10. Promets-moi by Emir Kusturica
11. Secret Sunshine by Lee Chang-dong
12. Breath by Kim Ki-duk
13. 4 mois, 3 semaines et 2 jours by Cristian Mungiu
14. Tehilim by Raphael Nadjari
15. Lumière silencieuse by Carlos Reygadas
16. Persepolis by Marjane Satrapi and Vincent Parannaud
17. Import/Export by Ulrich Seidl
18. Alexandra by Alexandra Sokourov
19. Boulevard de la mort by Quentin Tarantino
20. L’homme de Londres by Bela Tarr
21. Paranoid Park byGus Van Sant
22. The Banishment by Andrei Zviagintsev

Here’s my selected film from the list above: